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The course's reading list includes links tied to the Harvard Canvas network, which requires registering for the course to get access. Following are the equivalent links when they are available directly on the internet.
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Robert Paxton, “The Five Stages of Fascism" Journal of Modern History 70
no. 1 (1998), 1-23
Figure 1: Quote from Robert Paxton on Fascism Principles
Figure 2: Quote from Robert Paxton on the Kuh Klux Kan
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Walter Laqueur, Fascism: Past, Present, and Future (1996), “The Essence
of Fascism” and “Fascist Doctrine,” pp. 13-27
NOTES: Highlights of The Essence of Fascisim[X]
Jason Stanley, How Fascism Works: The Politics of Us and Them (2018), Ch.
1, “The Mythic Past Download The Mythic Past ,” Ch. 5, “Hierarchy,” and
Ch. 6, “Victimhood,” Download Ch. 5, “Hierarchy,” and Ch. 6, “Victimhood,”
pp. 3-23, 78-108
NOTES: Highlights
COMMENTS:
[33%]
ATTACH[X]
Katrin Bennhold et al., “Day X” New York Times podcast, Part II: In the Stomach (36 minutes) and Part III: Blind Spot 2.0 (39 minutes) COMMENTS:
extreme right and fascist movement in Germany. This cast might be the a good example of the strategy of fascist groups to mobilize the military while causing social disturbance to destabilize democratic infrastructure to force election in order to take power.
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Hannah Arendt, On Violence (1969) [87 pp]
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Laqueur, Fascism, “Terror” pp. 50-56[33%]
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Mathieu Kassovitz, La Haine (1995) [film] (97 minutes)[ ]
Alain Mabanckou, “Letter to France” in Tricia Danielle Keaton, T. Denean
Sharpley-Whiting, and Tyler Stovall, eds., Black France / France Noire: The
History and Politics of BlacknessLinks to an external site. (2012), pp.
88-95[ ]
Ted Swedenburg, “Beur/Maghribi Musical Interventions in France: Rai and
Rap,” The Journal of North African Studies, 20:1 (2015), 109-126[16%]
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Bolzano Victory Monument (1928) [Permanent Exhibition and Documentation Center. videos][ ]
Palazzo della Civiltà Italiana [Palace of Italian Civilization] (1938)
[images and descriptions from Wikipedia and Rome's official tourist site ][ ]
Il Mausoleo delle Fosse Ardeatine [Mausoleum of the Ardeatine Caves]
(1949) [images, descriptions, Audio Guide][ ]
Ruth Ben-Ghiat, “Modernity is Just Over There: Colonialism and Italian
National Identity,” interventions 8, no. 3 (2006), 380-393[ ]
Mia Fuller, Moderns Abroad: Architecture, Cities, and Italian
Imperialism (2007), “Introduction,” Ch. 1, “History: 1869-1943,” and Ch. 5,
“Colonial Modern," pp. 1-38, 107-136[X]
Ben-Ghiat, “Why Are So Many Fascist Monuments Still Standing in Italy?”
The New Yorker, October 5, 2017[33%]
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Guillermo del Toro, Pan’s Labyrinth. (2006) [film][ ]
Alex W. Palmer, “The Battle Over the Memory of the Spanish Civil War,”
Smithsonian Magazine, July/August 2018[ ]
Sebastiaan Faber, Exhuming Franco: Spain's Second Transition (2021),
Introduction and Ch. 1, “How Dead Is He?” pp 1-42[0%]
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Pablo Picasso, Guernica (1937)[ ]
Javier Cercas, Soldiers of Salamis (2001/2003) (246 pp)[ ]
Julian Casanova, Ch. 3, “The Faces of Terror: Violence during the
Franco Dictatorship,” in Jerez-Farran and Amago, eds., Unearthing Franco’s
Legacy (2010), pp. 90-120[0%]
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Benito Mussolini, “The Social and Political Doctrine of Fascism” (1932)[ ]
Natalia Ginzburg, Family Lexicon (1963) [224 pp][ ]
Victoria de Grazia, How Fascism Ruled Women: Italy, 1922-1945 (1993),
Ch. 4, “The Family Versus the State,” pp. 77-115[0%]
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Irène Némirovsky, Suite Française (2004), Part II, “DolceLinks to an
external site.,” pp. 205-372[ ]
Laqueur, Fascism, “France,” pp. 105-110[%]
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Némirovsky, Suite Française, Part II, “Dolce,” pp. 205-372[%]
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Entartete Kunst [Degenerate Art] (1937), selections[ ]
Friedrich Reck-Malleczewen, Diary of a Man in DespairLinks to an
external site. (1947) (214 pp)[ ]
Laqueur, Fascism, “Fascist CultureLinks to an external site.,” and
“GermanyLinks to an external site.,” pp. 60-65, 110-115[50%]
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Bernhard Schlink, The Reader (Links to an external site.) (1995) [218
pp]
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Konrad H. Jarausch and Michael Geyer, Shattered Past: Reconstructing
German Histories (2002), Ch. 11, “Survival in Catastrophe: Mending Broken
MemoriesLinks to an external site.,” pp. 317-341